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My novel started life way back  in 1986 as ‘Competing’ then became ‘Kathy’s Clown’ and finally ‘Toy Soldier’.

I’m still not sure what to call it… the story just won’t go away but I have had to adapt working ‘docs’ for each and it’s getting very confusing so I must settle on a name soon!

This 3 para Synopsis will give you an idea of the story and characters:

SYNOPSIS:  ‘Kathy’s Clown’

The Army Reserve is a volunteer group that consists of weekend soldiers.  Peter Watts-Brown is their Colonel.  He has made his hobby his career – his day job with the Department of Agriculture, pays the bills. He enjoys playing games – with the army, with money, with women.

His favorite opponent and total opposite at work and play is Colin Williams.  Colin is in line for promotion which Peter feels he deserves. He also wants Colin’s wife Kath.  Both have a team entered in the Blackwood Marathon held in the South West.  Each needs the validation of crossing the finishing line before the other. Both will do anything to win.

When one of the girls who works at the Research Center is murdered, the games turn serious. Both are prime suspects – now the real war games begin.

Because I’m busy re-writing my novel and also adapting it to the big screen, I thought I’d tell you how many different documents I’ve worked on concerning the same story and characters without reward.

For example, publishers usually require either one or the first three chapters however, Film Producers ask for so many different ‘docs’ it can be quite mind-blowing if you don’t know the purpose of or how to construct each format.

No 1: 1st draft Novel manuscript.

I’m not at all sure which number draft I’m on now as I’ve been working on it for so many years and changed computers so many times since them, I’m sure a few have been lost in the myriad of saving-method evolution.

In 1985 I wrote the first draft of 92 pages in three months when my very generous brother Paddy lent me his computer.  (I also managed to write a book of children’s stories  in the same 3 months.)  It meant I got the idea down on paper and the characters set in my mind.   Every couple of years I revisited it.

While at University studying for my degree in 2000, my Screenwriting units required different ‘docs’ for a feature script.  I thought using my story ‘Competing’ would be easier because I already knew the ending.

It actually wasn’t because I had to re-imagine my story for a visual medium – the polar opposite of most novels.  Luckily, I am a visual thinker so I was half way there…

No 2.  Logline.

The Logline is the hook.  If you can’t fit the premise of your feature on one line, perhaps you’re not completely clear on your idea.

‘Competing’ Logline:  Peter Watts-Brown plays games expecting to win but Colin Williams won’t let him; at work, at home or the Blackwood Marathon.  

No 3:  ‘Synopsis’.

The synopsis is a snapshot of the story and characters meant to reel in the investors, so it has to be ‘sexy’ and can be any length, from 3 paragraphs to a 1/2 page,  1 Page or 3 Page Synopsis.

No 2: ‘Scene Breakdown’.

The Scene Breakdown gives a description of each scene or sequence, some in full as examples with dialogue but mostly just action to illustrate the flow of the story, which in this case finished at 29 pages.

No 4: ‘Treatment’.

By March, 2001 of my final year at Uni, I had a 19 page ‘Treatment’ sometimes called an ‘Outline’ of the story, which showed what happened in each scene written as narrative in story form, with no dialogue.

No 5:  Feature Script

When I left Uni I decided to actually start writing the script but then half way through, because of the different medium, I naturally found the story was changing to suit.  So back I went to the novel to do another re-write because I wanted both to ‘marry’.

That’s why I’m really not sure how many versions of the novel exist without going through all my old discs – some are even the old 4 inch square ones – and I can’t play them!

Since then I’ve done a Transmedia masterclass with Jeff Gomez and realized the differences make versions interesting – each should add new aspects of the ‘world’ I’ve created of story or characters.

Perhaps now you understand why I keep putting it away and coming back to it…

 

#FrancesMacaulayForde  #FILM:Competing  #FILM:Kathy’sClown  #FILM: ToySoldier  #BOOK:Competing  #Transmedia  #Novel  #Books  #Manuscript  #JeffGomez  #Treatment  #SceneBreakdown  #Outline  #Synopsis  #FeatureScript  #Script  #Logline  #BlackwoodMarathon  #BlackwoodValley  #Marathon

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Just back from the hometown premiere of this movie  ‘These Final Hours’ with an extra bonus Q & A session after the movie with  Writer/Director Zac Hilditch and Producer Liz Kearney.

Definitely not my usual fare, this film wallows in reality; the reality of knowing you’re dead – or will be in a couple of hours.  And absolutely nothing can be done about it except make bloody sure you spend your final hours exactly as you want – and be with whoever you want, when the end comes.

It’s dark, the premise is miserable; the ending foretold at the beginning and the cast of characters reacting predictably, except for the unlikely hero on his final journey.

Winner: The Age Critic’s Award Melbourne International Film Festival (MIFF) 2013 Best Australian Feature.  Screening Director’s Fortnight 67th Festival de Cannes, 2014  where it received a standing ovation!

The film is shockingly human, traumatizing and confronting-ly honest.  The characters disturbingly ‘real’ with outstanding performances by the leads, ably supported by many others – all perfectly cast.

Angourie Rice  has a HUGE career ahead of her and although I’ve not seen Nathan Phillips before, I’ll look out for him now.  He and his young co-star created magic in this film and made me cry.

I loved the guessing games and familiarity of home but hated the destruction provided by special effects and cinematography worthy of a much higher budget.

In other words, worth the $14 or whatever.  It opens on 31st Thursday this week at various cinemas.

Congratulations Team TFH – bloody well done!

 

#FrancesMacaulayForde  #FILM:TheseFinalHours  #ZacHilditch  #LizKearney  #AngourieRice  #NathanPhillips  #Film  #WestAustralian  #WAFilms  #TheseFinalHours  #LocalFilm  #ShotInWA  #Cannes

 

 

 

 

 

 

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Calvary-Poster

Today we saw  ‘Calvary’the second in a trilogy of stories masterfully written and superbly directed by John Michael McDonagh   The first was ‘The Guard’   which is the highest grossing Irish film of all time!

Both films starred the empirical Brendon Gleeson who has no less than 6 more films in production at the moment and one already completed since ‘Calvary’.  And no wonder – I cannot imagine an Irish film without him now…  but each of the cast fitted their characters perfectly – another film I could not fault.

The story is confronting, full of black humor, lovely Irish accents and scenery beautifully shot around Sligo and Easkey – places my husband took me to because his mother came from there.

If it’s showing where you are, make the effort – it’s a refreshingly different take on some taboo subjects tackled with wry wit and a large dose of ‘reality’.

I wholeheartedly agree with everything  David and Margret had to say, and think this film will break the ‘highest earnings’ record too.

 

#FrancesMacaulayForde  #JohnMichaelMcDonagh  #MOVIE:Calvary  #BrendonGleeson  #MOVIE:TheGuard  #ABC:AtTheMovies

 

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On Sunday, we took advantage of a free double pass from ABC’s RN Ideas Network  to see a preview screening of the movie  “Still Life”   at Cinema Paradiso in Northbridge, one of a couple of ‘alternative’ cinemas in Perth, Western Australia.   The critics have waxed lyrically with the film garnering awards at Venice, Edinburgh and other international festivals.

And may I say “Thank you, Uberto Pasolini”  the guy who also brought us “The Full Monty’ –  we loved it!  It’s  what I deem a typically well done ‘British’ film in that it is character-driven; character-centric and deliberately slower-paced compared to an American style of ‘commercial’ film-making.

The British seem to take their time, to allow an audience to absorb all the emotion, subtext and context, give them time to think about what they’re absorbing.  I see it as a form of audience respect.  Just like ‘Philomena’, ‘The Railway Man’, ‘Quartet’ etc as I’ve mentioned before in a previous  “Top 10 Movies of 2013”  blog post…

Although the subject and lead character seem dismal on the surface, this film is not slow and when the ending came I, as audience didn’t want it too.  My mind was full of questions about what happens next to others we had met in the last 2 hours…

Two days later I’m still thinking about the questions and beautiful clever human touches inserted perfectly into the visual narrative, making dialogue almost obsolete.

As a screenwriter I couldn’t fault the completed circle of story-telling carrying me so effortlessly, or the clues in the frame perfectly placed and plausible to the point of my being able to forget the production and direction involved – except to applaud it with everyone else, at the end.

Yes, a near-capacity cinema audience clapped loudly at the ending as they do when they are particularly moved, demonstrated clearly by how many sat and waited for all the credits to finish, before leaving.

I suspect we wanted our swollen, tear-filled eyes to reduce a little before the harsh glare of sunlight exposed just how much we were affected by such excellence.

 

#FrancesMacaulayForde  #MOVIE:StillLife  #ABCRadioNetwork  #UmbertoPasolini

 

 

 

 

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Wonderful to see how well supported our local industry is with beautiful awards and appropriate ceremony at the Heath Ledger Theatre, the perfect setting.

Sincere congratulations and well done to all involved from the winners and nominees to the hard-working organizers at the relocated FTI.   Quoting from FTI’s Facebook Page today:

“Over 500 filmmakers, celebrities, media and screen industry representatives turned out to celebrate the very best in Western Australian screen production at the 26th annual WA Screen Awards at the
Heath Ledger Theatre in Perth last night, Monday 14 July 2014, hosted by comedian Claire Hooper.
Presented by FTI, the WA Screen Awards (WASAs) is the premier celebration of West Australian screen culture, celebrating excellence and achievements in feature film, short film, web series, music videos, television production, documentary and games.”     READ the full list and report:

The West Australian covered the evening:   “Winton Film Tops Local Oscars”  

Independent Film Magazine made comment:  “The Turning Takes WASA’s Feature Prize” 

The WA Screen Awards have turned a page.  A revamped and renewed Film and Television Institute led by the very capable Paul and marketed so well by Michael.

The whole FTI team have obviously taken up the challenge and made our awards relevant again.

The WASA’s have grown up!  Sincere congratulations again, to all the winners, nominees and hard-working-now-celebrating, FTI!

Sorry we missed the professional celebrations this year, we’ll definitely make a date for next!

Facebook was full of congratulations and comments lauding our local filmmakers. All very well deserved:

Stephen Van Mil   WE WON!!  Huge thanks to the master and commander himself John Collee – your inspiration and magnificent screenplay is what made Tango Underpants our happy feet…..! Tania Chambers Miranda Edmonds Emma BeeAgustina Costa Varsi Guy Gross Nadia MeneghelloKhrob Edmonds Estelle Buzzard Maya Alexandra Kavanagh Meg McPherson Denson Baker and all our incredible team – and thanks for the snap Nick Van Mil…!! — with Miranda Edmonds and Tania Chambers.

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Antony Webb
Congrats to team The Fan. We won best music, best director and best film! ‪#‎wasa26‬
David Le May
Big Congrats to winners of the WASA’s this year and very chuffed to win Best Cinematography Long form for ABC series “who’s been sleeping in my house?” Driving in the UK phone bleeped and said Go WASA YAY! thanks Court McAllister had to pull over and find out more! a very special thanks too to Series producer Daniel Brown being supportive over the 8 years I’ve known him and allowing me to go wacky with some of the photography! Thanks Joined up films!
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Film & Television Institute
Tune into RTRFM 92.1 at 11.10am to hear our two BEST DIRECTORS Nicholas Dunlop (Best Direction Long Form for Comic Book Heroes) and Antony Webb (Best Direction Short Form for The Fan) give the full lowdown on last night’s 26th annual WA Screen Awards. ‪#‎thefan‬‪#‎comicbookheroes‬
Tune into RTRFM 92.1 at 11.10am to hear our two BEST DIRECTORS Nicholas Dunlop (Best Direction Long Form for Comic Book Heroes) and Antony Webb (Best Direction Short Form for The Fan) give the full lowdown on last night's 26th annual WA Screen Awards. #thefan #comicbookheroes #WASA26
Stephen Van Mil shared Tango Underpants‘s photo.
WINNERS!!!!!
Tango Underpants has just won the Australian Writers Guild Award for  Best Short Form Script!!!

Tango Underpants has just won the Australian Writers Guild Award for Best Short Form Script!!!

Antony Webb
So this happened tonight
So this happened tonight :)
Lucy Byrne with Antony Webb and Vivienne Marshall
Congrats to all who won awards at the WASAs tonight. Ypu are all flipping awesome!
Congrats to all who won awards at the WASAs tonight. Ypu are all flipping awesome!
#FrancesMacaulayForde  #FTI-WASA’s  #WALocalOscars
 

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EFrancesPortrait1BW Rambling on…

 

For THROWBACK THURSDAY I thought I’d post this piece, written way back in 2008.

 

A Trilogy of Creativity

Imagine a film culture that values and celebrates their writers – as well!

Where the film opens with  ‘A Film By A Brilliant Writer’  in HUGE letters….  

Wait… wait… I’m visualizing….   

Imagine if the writer was credited first – just as the script came first!   It should be standard in every contract.

Imagine if, in all the publicity, as many times as the producer/director are mentioned – so is the writer!

A trilogy of creativity! 

At the very least, equal status and consideration, even listed before the others! 

I know – I know… often the script is taken and the writer never consulted again while others input their talents.

That’s where writers get lost and forgotten – while everyone else is contributing. 

But in the end, imagine if the world remembered the root – how the tree grew from a tiny seed and who planted that seed in the beginning…

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It’s not just a case of reminding those in the industry of the contribution a writer makes but also, informing the public – for them it would be a subliminal statement of value.

Once the mind-set of valuing the writer is established, everything else will follow:  

            the time (money) to develop scripts,

            the appreciation of the time true craft takes

            the education/practice required to deliver the skills of screenwriting.  

No-one expects a novel to be written in 3 months (rare).  Nor do we expect them to go straight from the writer to the printing press.

We know novels need to be edited and edited again and again, throughout which the author needs to be consulted and considered. 

And when the novel/book is finally printed, we revere and promote the author as creator – even send them on book tours, because we realize and fully acknowledge their involvement in the final product.  

The author is often what sells the book – once you’ve read one you want to read more of the same quality.

Imagine if we had the general public going to films by their favorite writer?

Imagine if screenwriters were feted in the promotion of the film on a level with its directors and producers? 

What a wondrous world for screen writers that would be.

A trilogy of creativity!

Frances Macaulay Forde © 2008

#FrancesMacaulayForde  #Screenwriting  #TrilogyOfCreativity

 

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Ever since hubby and I took her to see it at the movies, like millions of other little girls, my granddaughter is absolutely obsessed with Snow Queen Elsa from the highest grossing animation movie of all time:  Frozen.

As soon as the video was released I ordered it from Disney and she was the first to have a copy in her class because it wasn’t available here yet.

Apparently for ‘Show and Tell’ she took the book I also sent away for in and sang the song  “Let it go!”  (For those not aware, the song was a huge hit from the pivotal moment of the film.)

My granddaughter and her 18 month old little sister sing it together and dance around her bedroom.  (I tried to video her singing it today but she was  “A little bit shy, Nanna.” ) 

This weekend her Mum is taking her to Disney on Ice and supposedly all the little ones in the audience will dress up like princesses.  So naturally, our little princess wanted an Elsa costume.

ElsaPose

We’ve been looking for months and were very pleased when the brochures arrived telling us the costume and the dolls were in stock.  We tried lots of different shops and got the same reply – “Sorry, sold out!”

There’s even a ‘black market’ in costumes and dolls now – anything in fact to do with ‘Frozen’.  I tried to buy snowflake hair slides and nope – nothing available.

There’s was no alternative – I would have to make her an outfit myself – eventually, a doll as well.  (She does have a birthday coming up so she could wear the costume for that too.)  Could I get the right color materials to make a dress? No – they were sold out too!  Perhaps I’m not the only Mum/Grandma etc having to make an outfit…

Well, I did my best.   And because I’ve got left-over material, I’m going to make a baby version for her little sister.

Anyway, I took the dress over today for a try-on.   I need to take the hem up but basically, it fits and my granddaughter is thrilled.  What do you think?

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#francesmacaulayforde © 2014

 

 

 

 

 

 

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Munster Literature Centre, Cork, Ireland.

When I was a member of the Munster Literature Centre, I did a masterclass in Short Story with James Lasdun.  

The title story of his published collection The Siege: Selected Stories, was adapted for film by Bernardo Bertolucci as Besieged ,  only one adaptation.

 Sunday was based on his story Ate Menos or The Miracle and co-written with Jonathan Nossiter. (Info from Wiki.)

030920Writers JL WS - CU Frances & James

Frances and James Lasdun during the 2003 Masterclass at MLC, Cork.

Later that year, I attended a festival at MLC with Richard Ford speaking, who’s novel Independence Day  was adapted and directed by Roland Emmerich in 1996 and a huge hit.

The Paris Review  did a very good interview with him soon after the film was made.

So, yesterday, I found this amazing resource – opportunities for competition and publications for writers of  SHORT STORIES:   Paul McVeigh   and just HAD to share.

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Totally star-struck while Alexander McCall Smith signs my books.

 

Last Thursday at the Octagon Theatre in the University of Western Australia, I spent a most-enjoyable hour giggling as a master storyteller regaled us with quick peeks into his world.

As a HUGE fan who had the affectionate nick-name ‘Susie Matwetwe’ when I lived in Africa, I remain in awe of  Alexander McCall Smith; his energy, his easy characterizations and perfect stories…

I love his Botswana stories and find his list of publications absolutely inspiring – he only came to fiction in 1998 and has not stopped producing delightful stories since.

Presented with so many of his wonderful words lined up in boxes in the foyer,  it was very difficult to decide what to buy.

He generously signed two books for me.  The queue was so long, I was grateful I’d lined up quickly and was in the first 20.  (I think every one of us wanted a quiet moment with the master.)

My first purchase that night was  “44 Scotland Street” .  I’ve heard such lovely things about this series and although I haven’t finished reading all 15 of the “No I Ladies Detective Agency series, I’m looking forward to plunging into this one.

The other is “Trains and Lovers ~ The Heart’s journey”.    Although my copy’s cover is different from the one shown on his website, how could I resist reading this one when my I had written my own  ‘Rail Tales’ from the same ‘platform’.

When it was my turn – actually came face to face; I smiled and said, “How are you?”  I know, such an inane thing to say – but I was in awe!

I did recover and ask the question I had wanted to ask in the Q & A after his talk:  ‘What about a new TV Series?’

I loved the TV Series Anthony Minghella produced, co-wrote with Alexander and other wonderful writers, and naturally directed with such affection, beautifully.

I’ve always been a fan of Minghella’s ‘big’ films, starting with ‘The English Patient’ – he directed so many.  He “used expansive tastes in literature and a deep visual vocabulary to make lush films with complicated themes that found both audiences and accolades. “   His films were so layered, he  “used a careful eye for cultural and historical detail”  and he brought all that to the TV Series.  (Quotes from: New York Times.)

Although it will be difficult to find someone who can ‘read’ the characters and the location so well, I’m hoping one is found, soon.

 

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Just watched most of the Oscars.  All the way through I expected Sandra Bulloch to win best Actress for ‘Gravity’ because of the many cut-aways and the film won so many other awards and I’m sure she was good.  (I can’t comment on films I haven’t seen so will stick to those I have.)

The camera didn’t cut-away to Cate Blanchette once while I watched, so I thought she had decided not to go – what with all the controversy over ‘Blue Jasmin”s director.  (No, I just can’t bring myself to say his name…)   I presumed she wasn’t there – like Judi Dench and was disappointed.

So glad ‘Frozen’ won best Animated and best song.  So many layers to that film, most unfortunately will be lost on it’s young audience.  (My 4 year old granddaughter loved it – so did I! )

And a huge shout-out to Catherine Martin who became the 1st Aussie to win 4 Oscars for her amazing set design and costumes in ‘The Great Gatsby’ this year and a few years ago for ‘Moulin Rouge!’  

You can usually tell who the academy favorites are by how many times they ‘show’ in cut-away, the ‘star’ in the audience – case in point Best Picture:  ’12 years a slave’ (which I didn’t agree with).   Sure it was a good movie but ‘Captain Phillips’ was better all ’round and should have at the very least won Adapted Screenplay, so was ‘Philomena’ (both mentioned in my top 1o), – Hell! even ‘The Railway Man’ was better.

But I have to say the fashions were beautiful – as expected (expect for Ellen).

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