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This deserves a reblog… one of my favourite contemporary poems doing exactly what it is supposed to do – make me feel!

Frances Macaulay Forde's avatarPerth Words... exploring possibilities.

Periodically, I read poems posted on a blog called Write Out Loud even now and then, post one or two myself. 

Last week, one of my favourite contributors, David Moore posted a poignant poem which reminded me so much of my dad. 

With his kind permission I am reprinting it here but if you’d like to hear David read it as well, go directly to the original posting by clicking this link for Write Out Loud

The Empty Chair

The empty chair is unimpressed

its vacant care bereft, un-blessed,

with threadbare arms and scuffed footrest

in lonely sitting room, undressed.

It squats in rays of slatted light

unknowing of the day or night,

no to and fro of padding feet

it’s just a chair, so incomplete.

The chair is nothing now he’s gone

just something he once sat upon,

where soon there’ll be an empty space

for something else…

View original post 15 more words

Today I find myself thinking about Ireland – the wonderful places, people, voices and travelling to Dungarvan from Midleton, in Cork.

Jack Lynch Tunnel – photo by Frances Macaulay Forde © 2003

Koffee Korner Kafé

Rows of Midleton houses seem to move in 
the crisp, sharp air, like the branches of 100
-year-old trees, bare for winter cold but weighted
- old with wisdom, moving slowly, waving up 

and down, like high galleons majestically 
sailing on the windy ebb and flow. Wide, smooth 
empty ring roads follow estuarine edges 
through emerald fields. Houses-that-all-look-the-same 

estates, industrial cities, port-type wharf 
cranes erect and ready.  The Jack Lynch tunnel 
disappears under water, coastal traders 
above.  Chugging cross-river ferries waltz with 

Titanic cruise-ships. Tenders nudging, budging,
control the dance.  Cobh. Turn-off , road narrows with
stone uprights guiding, bordering ancient foot-
falls way, animal-hoof routes. Rising, riding 

bridges built over ancient wild waterways  
flowing through battlefields and forested hills.
We travel paths that meander seemingly 
anywhere but straight ahead - where we want to 

go. Sideways, byways. Avoiding craters that 
require filling, positioned perilously,
making it fun to drive, swerving here and there 
for tractors. Dungarvan town sleeps in school-time, 

a quiet  waiting-place.  Old bridge spans to Prince 
John’s Castle and fresh new four-stories modern
overlooking calm Brickey’s tidal flow, hides 
more secrets than any one man can know or 

remember. We trod the cobblestones, leaning 
forward in the breeze, audibly aware of 
intoned melodies caught in doorways and cars 
as the courteous cruise with windows down in 

the warmth. Walking through Market Square, holding coats 
close, feeling echoes of Town Centre Seventeen
Hundred.  Butter market, slick with Council men
and Spirited characters in United Irishmen Power.  

Feeling occupation, execution, all 
history held in a narrow staircase, that
oft-painted hidden door to the second floor. 
The Koffee Korner Kafé.  It’s the tenth of 

the tenth in two thousand and two - a six day.  
We’re sitting in this space, no bigger than some
-one’s lounge or front room, they’re called here. Perched high 
on a kitchen chair, we’ve just ordered coffee

and cottage pie from Mary.  I feel Ireland.  
I feel the frustration of a language lost
and beaten away in disgust.  The despair 
of those who take some pride in their mother tongue 

now taught to the young but only spoken at 
home - not in public where judgement rules – except 
here. My untutored ear hears the Viking, sees 
the sail of his ship, hears the memory, lilt

of liquid walls, breaking in rhythm, strange 
but still familiar in tone and melody. 
Often almost indistinguishable to 
the foreign ear, - the heavy brogue – the sound of 

Eire today. We swallow the sweet warmth and wait 
with the town, bracing itself for uniforms 
on the loud hunt for Sherbert treats in exchange 
for brain labour. A no-worries future. No 

famine here. Youth with fresh focus and knowing 
eye on EU opportunities. Techi-haven 
Ireland spawns aggressive enterprise, 
ripe, eager to take advantage in the ‘Now’.

Overseas interests, brash pharmaceutical 
relationship phallus-fixers, expel puffs 
of bottom-line money into grateful small 
country coffers. Tax advantage gateway to 

Europe ‘so t‘is’, set up, employ, fill the cup 
of industry in her village halls. While car
license plates display everyman riches since 
the century turned.  The Little Man gaily

lurches from one wealthy franchise to the next, 
celebrates, independence - Gaelic road names.
I lean closer, strain my ears - listen with pride; 
and relish the sounds of the language of here.


Frances Macaulay Forde © 2002 

Another memory of WATERFORD and HURLING.

#POEM:KoffeeKornerKafe   #IRISHPoems  #FrancesMacaulayForde   #MIDLETONCork  #DUNGARVAN  #IrishNotebook

#BOOK: TheSister’sSong #AUTHOR:LouiseAllen #AdmiredWriters #FavouriteAuthors #WritingTips #DebutNovel #AllisonTait

All products and services featured by Variety are independently selected by Variety editors. However, Variety may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes. Book lovers are in for a treat this year, with a jam-packed slate of upcoming movies based on…

28 Books Being Made Into Movies and TV Series That You Should Read Ahead of Their Release — Variety

This is such a good interview with Meg McKinlay by Fremantle Press, I need to share it…

Does Your Story Have Legs? Creating Characters Who Connect

July 1, 2021

does-your-story-have-legs-creating-characters-who-connect

The Story Begins

In 2001, I was an unpublished writer with a little story idea and big dreams. On a recent car trip, I had spun a tale for my four-year-old daughter about how the house we were driving to might not be where we expected, because you know how houses get bored and wander around at night, and sometimes they might not quite make it home again?

This was going to be my first book; I was sure of it. READ FULL ARTICLE

#MegMcKinlay #Bella&TheWanderingHouse #BooksForChildren #RecommendedBook #FavbouriteWriter #WriterTips

International franchises love filming in ‘Aussiewood’ — but the local industry is booming too

It may seem the current boom is led by the strong growth locally-filmed international productions. But more than 80% of the productions currently being made in Australia are Australian. Is this sustainable?International franchises love filming in ‘Aussiewood’ — but the local industry is booming tooEric Bana in The Dry. Image: Roadshow Films

THE CONVERSATION

Tuesday 29 June, 2021

The Australian screen industry is booming.

READ FULL ARTICLE

#ArtsHubMag #AustralianArts #AustralianFilm #Aussiewood

Certainly a valuable resource. Thank you Lou T.

loutreleaven's avatarLou Treleaven

* UPDATED JUNE 2021 *

You can’t get published without an agent, and you can’t get an agent without being published – or so the adage goes. Thankfully, there are still a few children’s book publishers who are happy to wade through the ‘slush pile’, that teetering tower of manuscripts we imagine fill up a corner of the office, each one representing an agent-less writer who is hoping against hope that they might be plucked from obscurity. So in the spirit of writerly comradeship here is my current list of writer-friendly children’s fiction publishers in the UK who still accept unsolicited manuscripts.  Check their website guidelines and submit away, but please do correct me if I’ve made any errors or incorrect assumptions. NB   Where there is a link, I have endeavoured to take you, the linkee, to the submissions guidelines page of the publisher’s website; where that is not possible…

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I have enjoyed Robert’s poetry for many years, time I shared some with you too.

Ramekin I speak when you speak, say nothing to your everything. The world is a ramekin filled with bits of ourselves. It is a recipe for error, a list of adorations and illusion. You take my hand and say when I’m gone there will be others. The ingredients include vinegar and salt, but no […]

Ramekin — O at the Edges

I can’t believe it’s been 27 years now!

Frances Macaulay Forde's avatarPerth Words... exploring possibilities.

Edith Cowan House Peter Cowan Writers Centre, ECU Joondalup Campus, Western Australia

As an original, contributing committee member in those early years, I will happily join the High Tea celebrations at Peter Cowan Writers Centre, the only community writing centre based on a University Campus in Australia (and maybe anywhere), tomorrow.  

In the beginning, I represented Theatre and Writing on the City of Wanneroo (later Joondalup) Cultural Advisory Committee, when the opportunity to place Peter Cowan’s House on the Edith Cowan University Campus was first mooted.

At the time, I was studying for my BA in Creative Writing at ECU, Mt Lawley campus and, although an enthusiastic member of the Fellowship of Australian Writers in WA, worried many times if my old bomb of a car would make it all the way down to Cottesloe for meetings.

140212CoverUrbanScrawlWEB

A fellow student, Trudy Graham, as part of her Community Writing unit, started Northern Writers which in 1998, became…

View original post 193 more words

Think it’s time to share this again.

Frances Macaulay Forde's avatarPerth Words... exploring possibilities.

2-279491-Main-900x556-8

Twenty years ago the practice of arts in schools was very much dependent on, if a teacher was interested and prepared to go outside the curriculum box to practice their art.  Children who wanted to be involved in drama in the Northern Suburbs only had school opportunities which were very few and far between. 

I know, my daughter was one of them.  She regularly came with me to a local adult theatre group but because they didn’t have roles for 12 year olds, she enjoyed helping backstage. She just wanted to be involved and soak up the atmosphere of performance.

So in 1992, I set up our own group for 12 – 25 years olds to produce and perform something for the public, which 80 enthusiastic members of Northern Youth Theatre did very well, every three months until 1996. 

I am proud to say my daughter Jessica was accepted…

View original post 588 more words

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