International franchises love filming in ‘Aussiewood’ — but the local industry is booming too
It may seem the current boom is led by the strong growth locally-filmed international productions. But more than 80% of the productions currently being made in Australia are Australian. Is this sustainable?Eric Bana in The Dry. Image: Roadshow Films
You can’t get published without an agent, and you can’t get an agent without being published – or so the adage goes. Thankfully, there are still a few children’s book publishers who are happy to wade through the ‘slush pile’, that teetering tower of manuscripts we imagine fill up a corner of the office, each one representing an agent-less writer who is hoping against hope that they might be plucked from obscurity. So in the spirit of writerly comradeship here is my current list of writer-friendly children’s fiction publishers in the UK who still accept unsolicited manuscripts. Check their website guidelines and submit away, but please do correct me if I’ve made any errors or incorrect assumptions. NB Where there is a link, I have endeavoured to take you, the linkee, to the submissions guidelines page of the publisher’s website; where that is not possible…
I have enjoyed Robert’s poetry for many years, time I shared some with you too.
Ramekin I speak when you speak, say nothing to your everything. The world is a ramekin filled with bits of ourselves. It is a recipe for error, a list of adorations and illusion. You take my hand and say when I’m gone there will be others. The ingredients include vinegar and salt, but no […]
Peter Cowan Writers Centre, ECU Joondalup Campus, Western Australia
As an original, contributing committee member in those early years, I will happily join the High Tea celebrations at Peter Cowan Writers Centre, the only community writing centre based on a University Campus in Australia (and maybe anywhere), tomorrow.
In the beginning, I represented Theatre and Writing on the City of Wanneroo (later Joondalup) Cultural Advisory Committee, when the opportunity to place Peter Cowan’s House on the Edith Cowan University Campus was first mooted.
At the time, I was studying for my BA in Creative Writing at ECU, Mt Lawley campus and, although an enthusiastic member of the Fellowship of Australian Writers in WA, worried many times if my old bomb of a car would make it all the way down to Cottesloe for meetings.
A fellow student, Trudy Graham, as part of her Community Writing unit, started Northern Writers which in 1998, became…
Twenty years ago the practice of arts in schools was very much dependent on, if a teacher was interested and prepared to go outside the curriculum box to practice their art. Children who wanted to be involved in drama in the Northern Suburbs only had school opportunities which were very few and far between.
I know, my daughter was one of them. She regularly came with me to a local adult theatre group but because they didn’t have roles for 12 year olds, she enjoyed helping backstage. She just wanted to be involved and soak up the atmosphere of performance.
So in 1992, I set up our own group for 12 – 25 years olds to produce and perform something for the public, which 80 enthusiastic members of Northern Youth Theatre did very well, every three months until 1996.
I am proud to say my daughter Jessica was accepted…
I met Racheal at the Dowerin Festival when she was touting ‘Jilted’. She was engaging and natural so I though, if she writes the way she talks… I loved the book, saw it immediately as a screenplay and still hope one day, someone will take the chance and put it on film. She is amazingly prolific and smiles through all the hard work. Go Rachael!
Five Questions with bestselling author Rachael Johns
My next amazing author-guest is the prolific Rachael Johns who has published 28 books across formats with a number of publishers. She is the bestselling, ABIA-winning author of The Patterson Girls and a number of other romance and women’s fiction books, including her recent bestseller, How to Mend a Broken Heart.
LEST WE FORGET all those brave souls who selflessly stepped into danger to secure our freedom.
My father: Flight Lt J A Forde DFC
My Mother: WAAFM M B Forde
This poem was posted on the Facebook Page of Friends of 466 & 462 Squadrons by Andy Ward. I was so moved by the words of Jm Brown, I felt compelled to share – appropriately credited, of course. (Click links above, to read the original posting.)
THE ANZAC ON THE WALL
I wandered thru a country town, 'cos I had some time to spare,
And went into an antique shop to see what was in there.
Old Bikes and pumps and Kero lamps, but hidden by it all,
A photo of a soldier boy – an Anzac on the Wall.
'The Anzac have a name?' I asked. The old man answered 'No'.
The ones who could have told me mate, have passed on long ago.
The old man kept on talking and, according to his tale,
The photo was unwanted junk bought from a clearance sale.
'I asked around', the old man said, 'but no-one knows his face,
He's been on that wall twenty years... Deserves a better place.
For some-one must have loved him, so it seems a shame somehow.'
I nodded in agreement and then said, 'I'll take him now.'
My nameless digger's photo, well it was a sorry sight
A cracked glass pane and a broken frame - I had to make it right
To prise the photo from its frame I took care just in case,
Cause only sticky paper held the cardboard back in place.
I peeled away the faded screed and much to my surprise,
Two letters and a telegram appeared before my eyes
The first reveals my Anzac's name, and regiment of course
John Mathew Francis Stuart - of Australia's own Light Horse.
This letter written from the front... My interest now was keen
This note was dated August seventh 1917
'Dear Mum, I'm at Khalasa Springs not far from the Red Sea
They say it's in the Bible - looks like a Billabong to me.
'My Kathy wrote I'm in her prayers... she's still my bride to be
I just can't wait to see you both, you're all the world to me.
And Mum you'll soon meet Bluey, last month they shipped him out
I told him to call on you when he's up and about.'
'That bluey is a larrikin, and we all thought it funny
He lobbed a Turkish hand grenade into the CO's dunny.
I told you how he dragged me wounded, in from no man's land
He stopped the bleeding, closed the wound, with only his bare hand.'
'Then he copped it at the front from some stray shrapnel blast
It was my turn to drag him in and I thought he wouldn't last.
He woke up in hospital, and nearly lost his mind
Cause out there on the battlefield he'd left one leg behind.'
'He's been in a bad way Mum, he knows he'll ride no more
Like me he loves a horse's back, he was a champ before.
So Please Mum can you take him in, he's been like my own brother
Raised in a Queensland orphanage he' s never known a mother.'
But Struth, I miss Australia Mum, and in my mind each day
I am a mountain cattleman on high plains far away.
I'm mustering white-faced cattle, with no camel's hump in sight
And I waltz my Matilda by a campfire every night
I wonder who rides Billy, I heard the pub burnt down
I'll always love you and please say hooroo to all in town'.
The second letter I could see, was in a lady's hand
An answer to her soldier son there in a foreign land.
Her copperplate was perfect, the pages neat and clean
It bore the date, November 3rd 1917.
'T'was hard enough to lose your Dad, without you at the war
I'd hoped you would be home by now - each day I miss you more'
'Your Kathy calls around a lot since you have been away
To share with me her hopes and dreams about your wedding day.
And Bluey has arrived - and what a godsend he has been
We talked and laughed for days about the things you've done and seen'
'He really is a comfort, and works hard around the farm,
I read the same hope in his eyes that you won't come to harm.
McConnell's kids rode Billy, but suddenly that changed.
We had a violent lightning storm, and it was really strange.'
'Last Wednesday, just on midnight, not a single cloud in sight,
It raged for several minutes, it gave us all a fright.
It really spooked your Billy - and he screamed and bucked and reared
And then he rushed the sliprail fence, which by a foot he cleared'
'They brought him back next afternoon, but something's changed I fear
It's like the day you brought him home, for no one can get near.
Remember when you caught him with his black and flowing mane?
Now Horse breakers fear the beast that only you can tame,'
'That's why we need you home son' - then the flow of ink went dry-
This letter was unfinished, and I couldn't work out why.
Until I started reading, the letter number three
A yellow telegram delivered news of tragedy,
Her son killed in action - oh - what pain that must have been
The same date as her letter - 3rd November 1917
This letter which was never sent, became then one of three
She sealed behind the photo's face - the face she longed to see.
And John's home town's old timers - children when he went to war
Would say no greater cattleman had left the town before.
They knew his widowed mother well - and with respect did tell
How when she lost her only boy she lost her mind as well.
She could not face the awful truth, to strangers she would speak
'My Johnny's at the war you know, he's coming home next week.'
They all remembered Bluey he stayed on to the end.
A younger man with wooden leg became her closest friend.
And he would go and find her when she wandered old and weak
And always softly say 'yes dear - John will be home next week.'
Then when she died Bluey moved on, to Queensland some did say.
I tried to find out where he went, but don't know to this day.
And Kathy never wed - a lonely spinster some found odd.
She wouldn't set foot in a church - she'd turned her back on God.
John's mother left no Will I learned on my detective trail.
This explains my photo's journey, of that clearance sale.
So I continued digging, cause I wanted to know more.
I found John's name with thousands, in the records of the war.
His last ride proved his courage - a ride you will acclaim
The Light Horse Charge at Beersheba of everlasting fame.
That last day in October, back in 1917
At 4pm our brave boys fell - that sad fact I did glean.
That's when John's life was sacrificed, the record's crystal clear
But 4pm in Beersheba is midnight over here......
So as John's gallant spirit rose to cross the great divide,
Were lightning bolts back home, a signal from the other side?
Is that why Billy bolted and went racing as in pain?
Because he'd never feel his master on his back again?
Was it coincidental? same time - same day - same date?
Some proof of numerology, or just a quirk of fate?
I think it's more than that you know, as I've heard wiser men,
Acknowledge there are many things that go beyond our ken
Where craggy peaks guard secrets 'neath dark skies torn asunder,
Where hoof-beats are companions to the rolling waves of thunder
Where lightning cracks like 303's and ricochets again
Where howling moaning gusts of wind sound just like dying men.
Some Mountain cattlemen have sworn on lonely alpine track,
They've glimpsed a huge black stallion - Light Horseman on his back.
Yes Sceptics say, it's swirling clouds just forming apparitions
Oh no, my friend you can't dismiss all this as superstition.
The desert of Beersheba - or windswept Aussie range,
John Stuart rides on forever there - Now I don't find that strange.
Now some gaze upon this photo, and they often question me
And I tell them a small white lie, and say he's family.
'You must be proud of him.' they say - I tell them, one and all,
That's why he takes - the pride of place - my Anzac on the Wall.
By Jm Brown
An Indonesian submarine is lost in the depths off the shores of the holiday island of Bali and I am thinking about the families of the 23 crew, waiting for good news.
I'm happy for you to share what's published here, so long as Frances Macaulay Forde is credited appropriately.
It would also be a great courtesy if you let me know when and where you've shared my work.
“Those who expect to reap the blessings of freedom, must, like men, undergo the fatigues of supporting it.” Thomas Paine - "Limitation is essential to authority. A government is legitimate only if it is effectively limited." ~ Lord Acton - Commentary on what interests me, reflecting my personal take on the world