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Bead-work is intimate,

novel-like in the detail

– the chase a known pattern.

 

Crochet hooks the reader,

burrows through cotton/wool.

Knitting thrusts and parries.

 

Everything to do with

the size of the needle

and how it’s manipulated.

 

Frances Macaulay Forde © 2003

#FrancesMacaulayForde  #PoemsWrittenInIreland  #Romance  #Poetry

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141030JesieWalkingHereWEB

Since the net has been playing up, I’ve had time to do all sorts of things, pick up a pencil to draw or read books – such a luxury.

One of the first I’ve chosen is  ‘Walking Here’ by my friend Jessie Lendennie, of Salmon Poetry and THE best bookshop in Ireland, fame.  I’m enjoying it so much and couldn’t resist sharing one of her poems with you.

141030JesieWalkingHereDOC

Jessie and her family are mourning the recent loss of two of her beloved ‘pack’ but I know they still run to that rock pool, whenever she goes walking around the amazing Cliffs of Moher.

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#FrancesMacaulayForde  #JessieLendennie  #SalmonPoetry  #WalkingHere  #Poetry  #Ireland

 

 

 

 

 

 

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cheav_master085  330px-Ron-in-Tasmania

Years ago, Julie Chevalier and I were members of on-line poetry critique group run by the amazing Ron Pretty who established the Australian Poetry Foundation  and now has a competition named after him.

I enjoyed her poem “The moon and the stars were our chandelier” published in ALPHA – Issue 1, of WRIT, Western Australia’s newest poetry review on-line zine.  (Although they’re asking for submissions for the next issue, unfortunately WRIT cannot afford to pay its contributors.)

Julie gave me some excellent constructive comments for my poem: “Front Page Impact” which I posted a short while ago.  I recommend you take a moment and read some of her award-winning words.

 

#FrancesMacaulayForde  #JulieChevalier  #RonPretty  #AustralianPoetryFoundation  #WRIT-Issue1  #FrontPageImpact  #poetry

 

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Midleton Main St2

In Ireland with my newly returned love we lived in Midleton, a little village 25 km from Cork City.

He enjoyed showing me around his home of only a few years – but the new home of his heart.

Chatting about the ‘mysteries’ of writing poetry, we’d driven into Robinson’s Tyres yard, littered with used product.

I’d just finished saying I never suffered from writers block and could do a poem about anything.  He pointed and challenged me to write about ‘Those’.

So while he organised for a change of Tyre, I wrote about them:

 

Smooth Skin

 

Off Old Cork road, turning into Midleton

stacks of life-saving re-treads have Buckley’s

chance of reliving their youth. Discarded tyres

 

lay stop-piled high; like Auschwitz bodies

deflated, black, aged-old wheel-rings have

reached the end and their final journey.

 

Unlined rubber circles, low profile cushions

await disposal; melting erasure – incineration.

Their job is complete – no longer needed.

 

The largest lay prepared, neatly size-stacked,

ready and resigned, proudly age un-marked

claiming their fair share of the dumping ground.

 

Smaller circles know their place, are thrown

haphazardly because they’ve lost their grip;

swallowed by take-over tyrants, larger than they are.

 

Tractor workhorses are content to rest, miles-tired,

worn out, knowing they don’t count because the speedy

don’t care – don’t notice how many lines are missing.

 

Frances Macaulay Forde © 2003

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My sister-in-law Grace does a wonderful job of showcasing Perth with Daily Photos and interesting facts about places.

I write short poems around it…

ThreeShipsOnHorizonCottesloe

Cottesloe

 

paddlers ignore

frantically flapping flags

strike rythmically

into the folding flow

 

Han’s Café

 

Whitfords with sunset view

and one lonely seagull

trying out the new pool.

 

 

Rottnest Island

 

peacocks parade

scouting the scene

for opportunities

 

Wanneroo Folk Club

 

old grey whistles

same old tunes

nothing changes

just remember

 

Immigrant

 

with visa ease

he slipped

into Australia

like oiled toes

invade a shoe

 

Frances Macaulay Forde © 2005 

 

#FrancesMacaulayForde  #PerthWA  #Poetry  #WAWriting  WAPoet

 

 

 

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truckersmoll

In Rosemary Canavan’s book of poems ‘Trucker’s Moll’, her dedication is “for my mother who started me off”.  I can relate.

140921Poems 003w

 

My mum also encouraged my youthful angst in my 1968 handwritten notebook, long before keyboards ruined my ability to wield a pen and ink, by putting a little (accountant’s) tick of approval next to poems she liked.  Done in pencil – I hope it never fades… I treasure those little marks.

Rosemary’s poem on page 61 ‘Flowers in March’ was written on St Patrick’s Day in March 2003.

140921TruckersMoleW

 

I too sat newly arrived in Ireland, watching that same parade on the television,  in March, 2003 and wrote on the same theme.

Baghdad Ballet       

                                                              

A young boy sits, on his mother’s shoulders,

smile-excited in the sunshine, taking part 

in a parade. He proudly thrusts the finger

-sign of peace. Nice to see in an Iraqi child

 

– family bombardered by ‘Shock and Awe’

the night before, apparently forgiving.

But the visual is blitzed as it flashes onscreen,

by the plastic Sten-gun held aloft, back-

 

ground brandished in the child’s other hand.

Do you think the young lad plays in secret tunnels,

knows where to hide, where doubles walk

to keep the myth alive, the magic tricks

 

to keep awake illusions of a still-controlled-city.

Streetlights burn in defiance of invaders largess.

Traffic moves through the night while

bright glows explode in distant thunder

 

shower shrapnel. We sit on green comfy

sofas, presumed warm and safe inside,

miles away watching the performance

on TV young Liam wears red and white,

 

holds his defiant hurely high – a warrior

enjoying the sunshine day parade

– a protest for peace in Shannon…

 

 Frances Macaulay Forde © 2003

 

#FrancesMacaulayForde  #RosemaryCanavan  #SalmonPoetry  #JessieLendennie   #SalmonBookshop  #CliffsOfMoher  #Poetry  #IrishPoet

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I hear my world better

when there are no words

 

closed library eyes see

eddying images churn

before being controlled

writing a new narrative

 

It’s kind of safer than

letting reality intrude

 

chapters re-positioned

shaded recollections

able-body paradigm

altered to glimmer

 

I require the world to

turn on my direction

 

allowed in silence

truths register deep

interpolated origins

finally recognized

 

Frances Macaulay Forde © 2014

 

#FrancesMacaulayForde  #Quiet  #poem  #writing  #WAWriters

 

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Three poems written to the painting No 57, 58  and 59 by disabled artists Timothy Schraman, Dennis Goater and Vivienne Sharp sold during the  Creative Connections Exhibition 2008.

 

Racetrack

 

The static audience is a smudged yellow blur

as my Formula Ford whizzes past the stands, in blue.

 

Around the chicane the red Ferrari takes the inside

and I glide past, pedal to the metal with a grin.

 

You won’t catch me – I’m every colour of the rainbow!

Tho’ purple blobs try, they’ve got no space, in my race.

 

Coral Bay

 

Snorkeling with rainbows

just past the breaking surf,

I see the red rocky shores

of the North West Cape.

 

Shimmering white sands where

Coastal Daisies, starflowers

and Sturt Peas grope to grip

harsh hot terrain in fighting wind.

 

At Easter, a hundred yards off

the bay, coral triggers upside down

snowstorms to invite gentle giants

from the depths of Tantabiddi to feed

 

whilst in my imagination I squeeze

the fish colours through my fingers

to paint pictures and feel myself

swimming with whale sharks.

 

Passions

 

a wide smile

weighted hugs

Pavarotti with

new food only

hide this red

cloud thundering

over my heart

 

Frances Macaulay Forde © 2008

 

#FrancesMacaulayForde  #CreativeConnections2008  #ArtAsTheSpark  #Poetry  #art

 

 

 

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imagephoto

Written in response to an article in the Irish Examiner, 9th May 2003.

 

Front Page Impact

Was it right to show all those bodies

in make-shift coffins, lined up like

so many bargains at a boot sale?

 

What’s happened to our humanity

when thirty-three elderly people die

and the focus is on the ‘exciting’ visuals

 

of a train hitting a bus  – slicing it in half,

reveling in the mangled mess?  I said

the same about recent war coverage.

 

Am I the only one who cringes, every time

I see pain and suffering celebrated without

thought of the mother, father, brother, friend.

 

Or the lover, who may chance to see a half-clothed,

disguarded pile of damaged meat and bones,

and suddenly recognize a shirt or scarf or shoe…

 

Frances Macaulay Forde © 2003

Published on the net:  Write Out Loud 

 

#FrancesMacaulayForde  #Impact  #DeadBodies  #Exposure  #Unauthorized  #Poetry  #IrishExaminer

 

 

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what are you thinking

where are you looking

not at me

why?

 

the times

insecure

scared

private

secrets held

hands grasp bags

pats wallet

life blood exists

reassurance

 

woman in track-pants

yakka green

hunt food

nylon jackets

eat and walk

forget manners

quickly – no time

lighter

hidden puffs

blurred singing

sadness

plastic rustles

stumble

life wins the battle

shame bottle

 

executive black

cash freedom

uniform success

yellow jewelry

sustained work

blood money

 

comfortable shoes

mushy cardies

link arms

coats in sunshine

meander

disregard fashion

first eye contact

traditional warmth

traveling through life

together

relaxed touch

 

look into my eyes

I exist

I breathe

friendship

I’m secure

the day is shining

I give

look at me

I’m whole

I’m here

where are you going?

 

Frances Macaulay Forde © 2000 

* Published in ‘Hidden Capacity ~ a poet’s journey’ Ireland 2003.

 

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