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Photograph---TheGallery09

“Red Umbrella Series” by Jessica McCallum
from ‘Raincheck’ Exhibition 2010

I see red

when you raise spikes

along the metal shaft,

sharply snap it open,

stretching the bright silk

above your head

I see red

a mobile patio –shelter,

protection from storms,

hurling lightning bolts

of tears from women

left wet in your wake.

I see red

in a sea of bobbing grey

between skyscrapers

the calm sway – swagger

of  hips –  loose, lithe strides

confident until another

red umbrella takes the stage.

Frances Macaulay Forde © 2010

_______________________________________________

Raincheck an exhibition in case of showers…  2010 

Artworks by Mixed Media Artist, Jessica McCallum

Held Aug 23 – Sept 10, Subiaco Arts Centre Gallery, Perth, WA.

(Poetry postcards from exhibitions available from WEBSITE)

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‘Mute’ by Jessica McCallum 2009

 

My mouth is a gun with a silencer, stopped

mid-sentence from telling you how I feel –

actions speak louder especially when they hurt! 

You see, you say but I can’t speak.  You speak,

I hear but no words are offered because I can’t reply.

I see, I hear so please, throw your words my way

so I can at least aim in silence.

Frances Macaulay Forde © 2009

_____________________________________________

The ‘JM Exhibition’ was the first (very successful) exhibition of art by my daughter Jessica McCallum held at His Majesty’s Theatre in 2009, on which we collaborated.  All but one painting sold on the night.

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Umbrella Series (detail) by Jessica McCallum
‘Raincheck’ Exhibition 2010

Like tears

Rain hits my umbrella

Bouncing bursting

Droplets scattering

Spreading my pain

Shimmering images

Relections of you

Love like rain

Showers me

With tears

Frances Macaulay Forde © 2010

_______________________________________________

Raincheck an exhibition in case of showers…  2010 

Artworks by Mixed Media Artist, Jessica McCallum

Held Aug 23 – Sept 10, Subiaco Arts Centre Gallery, Perth, WA.

(Poetry postcards from exhibitions available from WEBSITE)

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Image

Roll up!  Roll up! Crack

the whip!  Circle the horses.

Let the monkeys laugh

and play with careless

disarray around this heart;

broken, wounded, fallen

from the high wire,

grip gone, hands open

in mute surrender.

Your forced false smile

Painted in a permanent

Good-vibe leer… I tip

my hat to all who stride

into the ring, willingly –

take a chance on love.

All the pretty ones

are gathered for love’s

circus performance.

Watch out for the Ringmaster!

He can reach a hand inside

your chest and squeeze…

Frances Macaulay Forde © 2011

Written for  “All The Pretty Ones Are…”

Studio Underground Foyer

State Theatre Centre of WA

(Friday 11 to Sunday 20 November 2011)

Funny folk, fear & fascination… complete with feathers…

All The Pretty One’s Are, is an exhibition of mixed media paintings by local Perth artist Jessica McCallum and will be on show for one week only in the Studio Underground Foyer at The State Theatre Centre of WA. Jessica’s style incorporates traditional watercolours & inks with a dark twist, and large-scale pop art, mixed media pieces. Her influences are murals, street art & old-skool comic book culture. Ever wanted to run away to the Circus?

For further information please visit http://jessicamccallum.blogspot.com/

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FrancesStudy

OK time to lighten the mood.

As a screenwriter, I have so many scripts just sitting around… shorts, features, TV Series etc.

One day, I’ll find the time to film this short-short with a couple of friends and my stills camera which takes video.

It’s so easy these days with all the options on the net to just film something and upload it onto You Tube.

You never know what will be a hit, what will just strike the collective funny bone and go viral.

But until I do, I thought I’d share this 3 min script with you. ‘Valentine’s Day

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Facebook is such a trigger for this blog:  Today a beautiful anthology of ‘Australian Love Poems’ was reviewed and linked by Adrien Abbott Prize page with the quote from Anne Walsh Miller: ‘You’re written in me in the before antiquity language of snowflakes. / Landing everywhere on me so thickly that you’re on me and in me and on my tongue / (you on my tongue is why I talk beautifully like snow under a streetlamp).’  

In the light of recent plagiarism issues with Australian Poetry, the quote reminded me strongly of a poem of my own published in 2005 when I was asked to write a love poem to be read at a good friend’s wedding.  As I had very recently found myself deeply and unexpectedly in love, Barry asked me to express feelings which overwhelmed me, at precisely the right time.

In 2003 I returned from 14 glorious months immersed in poetry and short story where I learnt the ‘I’ was usually taken out of poetry, so this would be a new public direction – I usually kept my ‘love’ poems very private.

The style of writing had to suit the audience – Barry’s mum was deaf and many of her deaf friends would be there with an interpreter to share our words.

Image

Read my poem ‘Like Dust’

Those who ‘watched’ my words, apparently loved the poem although I didn’t find out until later there is no ‘sign’ for ‘dust’, so the interpreter had to improvise… but she managed beautifully.

And I was left wondering, what a shame I couldn’t submit my poem to the anthology  ‘Australian Love Poems’ because it was already in the public domain and those I did submit obviously didn’t appeal because they weren’t included. Not that I’m too disappointed, they let me down easily by saying many excellent poems were not included.

ALP_cover

I actually bought two copies, one for me and a gift for a friend but was so pleased with the book in my hand, I’ll be buying more as gifts for Christmas.

Inkerman & Blunt’s next project is an anthology of Love stories.  No doubt it will also grace my bookshelves and be wrapped in Christmas paper.

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Today’s news stories about a ‘Nessie’ sighting this side of the globe has reminded me of something I wrote a while ago for my sister-in-law’s very popular travel blog about Perth; http://perthdailyphoto.blogspot.com.au

Every day she uploads photos she’s taken in and around Perth, Western Australia  (she particularly loves our pretty city)  discovering new and interesting places all the time.

On May 30th last year, she’d taken a fabulous photo at Mullalloo beach and wanted me to write something to go with the photo.  Naturally, I was happy to oblige and sent a short poem back within half an hour.  She was totally amazed with what I ‘saw’ in the frame…

P1060413

The Surgeon’s Photo

 

Like a summer’s day Nessie in her deepest loch

with itinerant Hugh Gray’s camera watching on shore,

she bows her head to honour the sparkling blue

and dances in the sunlight between the stars.

She is a he whose strong arms plunge out to sea

powering over and above possible danger beneath,

relentlessly pulling liquid waves to his chest –

a celebration of strength, youth and fearlessness.

Frances Macaulay Forde © 2013

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Now that internet is ‘old hat’ I don’t feel the need to have multiple ‘pages’ spread all over the place although they serve me well when people Google my name, I’m slowly reducing the information on my official web pages here:  http://francesmacaulayforde.com to cut down the repetition.

Of course I’ll keep my presence on professional sites where I have full membership such as the Australian Society of Authors, the Australian Writers Guild, Australian Poetry, Australian Literature, SCWBI or crew pages: Screenwest, Film & Television Institute, ABC Tales   IMDB  and others.  There’s even an interview on Fremantle Press.

So in future, I’ll just focus on regularly updating Facebook (for all the goss), LinkedIn (for professional networking), ABC Tales (to post writing regularly) and here, where I’ll keep in touch with my followers in gratitude for their interest.

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So I thought I’d share some poetry postcards I’ve printed up.  I use my own photos or artworks with my poems and give them away when I’m doing talks or workshops.

Recently I was in Residence at Burn Beach Cafe as part of the Cafe Poets Project with Australian Poetry, our national organisation and my postcards were quite popular.

The first three are from my time at Burns Beach on the Sunset Coast of Western Australia and the next couple are others chosen at random… I have published many…

More information here:  http://francesmacaulayforde.com/writing_poetry/postcards

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Although I was invited to the inaugural Avon Valley Writer’s Festival last year, to speak and workshop with my screenwriter’s hat on, I wanted something tangible for the audience to purchase so (as mentioned previously) self-published three small books.

Since writing the poems in 1998-2000 on the train between the Northern Suburbs, to the City of Perth then on to University in Mt Lawley, they appeared in my first book published in Ireland ‘Hidden Capacity ~ a poet’s journey’ and more recently re-assessed and ‘tweaked’ to appear in the stand-alone chapbook for sale.  Some pieces have also appeared variously in publications and on the net.

Now I’m hoping to give it yet another life, to convert the chapbook to an e-book for purchase on-line.  Any suggestions?  The service at Amazon has been recommended although I’ve been told not to expect ‘many dollars’ it’s a chance for many to see the poems and a whole new experience for me so I’ll have a look at it.  As I’m not really clever technically, I’m looking for something laywoman easy 😮

Meantime I thought I’d share a story and poem from the book just in case you wanted to investigate further either by purchasing a hard copy from me  or perhaps later an e-book from Blurb, Issuu or Amazon.  These are the first couple of pages:

Edgewater Station, 7.45am.

 The first time I climbed the ramp to cross the empty freeway I thanked my daughter’s advice for nervous, first-time train-travel.

“Don’t make eye-contact and take something to read.”

Embarrassingly unfit; I was truly unworthy of riding to city steeples and naked greed.  However, I was able to slow my breathing before reaching the platform, populated by corporate black.

Like others in smart casual I waited unprepared, searching and praying that I had correct change.  No way would I approach anyone to help if my Target Special revealed only notes.  An extra minute to read the zones and I felt their impatience stab my shoulder blades.

First rule: be prepared.  Why doesn’t someone press the ‘Next Train to Perth’ button?  How long have I got?  Finally, the clunking use of coins and metal spit of ticket, loudly confirmed my lack of railway sophistication.

As I claimed my waiting spot, the gentle morning sun warmed my arms and I began to relax.

My head moved left to spy an approaching train. Then swung right, to relax the tension.  The violent clash of eyes focussed on the anticipated train, brought heat and colour flooding to my face.  Have I broken another rule?

I turned away. Moved left and slid around to a corner bench, hiding under graffiti steps.

A cleaner diligently wiped the dead remains of habit from a shiny steel surface.  As our eyes met, she smiled in understanding. My isolation lifted with the corners of my mouth. “Good morning.”

A distant sparkle from Joondalup Tunnel caught my attention.  Although I had lost my place for the central carriages, I joined the stragglers just as the last door swept toward my flat comfortable-s.

The unsmiling silent wave surged toward the precipice, eager to rest their feet or continue sleep.  We were swallowed with a whoosh.

All around people take off their Sunnis and don clear glass, casually opening their oft-thumbed pages: Time magazine, corporate handouts, New Idea, ‘Bondage – a love story’ the latest Patricia Cornwell…

I am starting my own new adventure – a new life.

No husband ~ he’s decided to share his bacon with a younger model.

No children to care for – they’ve all moved out, no-one who needs me, just me.

So I’m dealing with the empty nest, taking my new life into a different direction ~ a city job direction.

The first day of my new life: new job; new me.  Is it obvious?

No one speaks, except the odd un-sophisticate, who broadcasts gossip as if it elevates them.

I lose myself in Harry Potter and block out the other occupants, cocooned against intimidation.

Priority Seating.

Chivalry’s not dead.

Young man offers an older

person his seat, but

not the young lady. He stands

silently, matching her sway.

 

Freeway Sprawl.

relaxed – half asleep

compassionately floating past

overheated motors crawling

without air-conditioned silence

forced to queue as road workers

widen a future path.

Frances Macaulay Forde © 2013

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