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Breakfast at Garfunkle’s
(restaurant - Heathrow)


Scene 1
blond body-perfect She
wears corporate black
casually draped label scarf
her highlight-streaked
tresses - hair to flick
and display interest
mobile-phone laugh
every second pause
pouted poised use of
office eyes and mouth
gaze-long sincerity
that familiar dance
with steps well known
moist lips tongue-wetted
backwards and forwards
as she speaks intensely
leaning on elbows
she slides amphibiously
table-hovering forward
(She’s good at this)
focus – focus - focus

Scene 2
His suit speaks volumes
pure wool power black coat draped
hair distinctively mottled silver
cut just right on the neck
wears no-frame glasses
giving an unmistakable
air of knowledge His
quiet voice and intensity
reveals someone very
comfortable reaching goals

He orders
She contributes

Soliloquy

this girl will get what She wants
but what does she want
don’t think it is Him
for the long term
uninformed He
is Step One
around the middle
of the ladder I’d say
(croissant comes
coffee poured
‘My – that’s a big one!’)
I almost burst out laughing
at the obviousness of it all…

Scene 3
Moment of judgement
He reaches over
jacket pocket
pulls out the ubiquitous
square box
covered with simple
but stylish green paper
(politically good colour)
matching green card
attached

fingers fly-feel
size and shape not
immediately accepted
face re-clothed
‘Oh’ blush, blush,
‘…you shouldn’t have…’
decide hungry
hands grasp
rip the paper
‘Hmmmmmmm’
frown wins again
betrays
She sees white
cardboard cover (still)
jeweller’s box – gauche!

She furiously manipulates
hands examining
giving time fractions
disapproving/approving
milking the moment
using all weapons
deep questioning look
tentative smile
opens the offering
breath explains
softly gasps
with cued drama
held high like
an Academy Award
the diamonds sparkle
in the early morning
itinerant restaurant
electrical down-lights

Scene 4
‘Hmmmmm, this is what
they are wearing nowadays…’
She puts it on – ‘it fits’
leave it there a beat
let him drink the vision
perfect arm held
by His perfect jewels
pat twice (enough)
show eyes a caress
take it off - put it back
in the box on the table
dismissed

‘Cut!’ called
lurking waitress
interrupts this act of
Cleaning Agent (Soapy) play…

Scene 5
She insists
on paying for the meal
making her point
pushing her notes
into bored staff hands
(seen the show before)
scrabbling for change

they are alone again
She continues to flirt
now with a brilliant edge
knows She’s got Him
but can She still use Him
He obviously
didn’t give her what
She expected… this time
but She leans over
to give Him a quick
‘Thank You’ non-sexy kiss
desperate He recognizes
makes a gluttonous meal

She leans back
mentally puts her hands
behind her head
He continues to
hold fast her hand
trying rubbing
closed fingers
possessed by His hand

She slides her glance
down and away-side
reaches back
to put her arm

through coat sleeve
body to follow
time to go
another meal
something tastier

He didn’t want this
moment to happen.
He is now no longer
strong corporate giant
but vine plucking
lover wants more
suddenly realizes
whatever was expected
wasn’t delivered
He stuffed up – failed
She walks out of his life
He will re-grow his hard shell
and make a mental note
not to bend again

Music Up
‘Hello Darkness, my old friend…
I’ve come to talk to you again…’


From ‘Sounds of Silence’
by Simon & Garfunkle.


Epilogue

at the next table
our waiter regrets
‘No pancakes today
– no facilities.’
croissants instead?
scones? ‘ No, sorry,
even toast couldn’t
– the renovations…
no coffee machine either
no donut machine…’

Oh tragedy!

I look at black and white
photos of war planes
50’s & 60’s stuff on the shelves
the ‘Unattended Luggage…’ sign
all testament to the vacuum of itinerants.


Frances Macaulay Forde © 2003

Purely an experiment for my book 'Sketching In Ireland'. 🙂


#SketchingInIreland #BreakfastPoem #Heathrow #Restaurant #Travel #Experimental #ProsePoetry #PlayScript #WinterRomance #SummerFling #Fiction

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A memory of Africa in the 60’s.

POSTAGE

“Will you get the mail please, Susan? Take Clement with you. And the gun.”

I stood up, shoulders back. “I can drive myself. I’ve got my license now.”

Clement Ngoma loomed in front – a no-argument smile on his face. This was the late 60’s and our country’s struggle before independence still impacted everything we did.

“Madam, the boss, he doesn’t want you going into town by yourself and your Spitfire is too much low – too much difficult to get out.”

With ungrateful resignation, I bent down to open the right hand drawer of the desk and remove the small pistol. It slid into my London-bought sunshine yellow patent leather handbag. I straightened my black ‘wet look’ skirt and checked my matching sunshine yellow patent leather buckled platform shoes.

Newly returned from a working holiday, I had shocked my mother with my ‘bumblebee’ Carnaby Street fashion. Looking good was important if only to collect the post. You never knew who just happened to be collecting his company’s mail too!

“All right we’ll use the van. But I’m driving – OK?”

Kitwe was the Hub of the Copperbelt in Northern Rhodesia. The Post Office was on the main street tucked between Lentin’s the Jewellers on the North corner of the block and Bata Shoe stores on the South corner, near the now deserted Astra Cinema.

Later, the cinema would become infectiously noisy with white grins and sweaty excitement. I missed going but night-time excursions were unwise. Sometimes even lunch-time excursions…

Twenty-four hours a day the jewellers hide their reduced display behind double layers of metal weave. This is a small town and the smiling, nervous owners know everyone who’s anyone – who gave what to whom for birthday/anniversary/Valentine’s. One of the few European ways left to splurge the monthly paycheck is to buy a new ring.

The only descent dress shop wasn’t receiving their full consignments – pilfering was rife and only garish unflattering frocks in larger sizes are available now. I often pop in at lunchtime, but decided not to today. Most of us either made our own; had frequent overseas holidays or a good dressmaker.

Newly returned from a working holiday, I had shocked my mother with my ‘bumblebee’ Carnaby Street fashion.

Delivery day always put Mrs Brown in a foul mood so Mondays was not a good day to dress shop.

Unless your style was Chitenge – there was a huge range available in OK Bazaars.

Mum has so many broaches bought from there. They sell extra cheap everything from Nshima to cast iron cooking pots. I loved the place as a kid. My two shillings pocket money seemed to go farther and farther every Christmas and Birthday. The more glitter and glass the better, all faithfully worn by Mum to family gatherings.

As we got into the company delivery van, both Clement and I automatically locked our doors from the inside. Standard practice. It took 15 minutes to drive from the industrial area into town. Perhaps I drove a little too fast down Edinburgh Avenue because Clement seemed to be trying to push his foot through the floor.

“There’s a policeman!”

“What’s up – don’t you like the way I drive?”

“Well, you do seem to put your foot down very hard on the pedals. Maybe it is stuck? Would you like me…?”

There’s a rule here: Don’t stop for anything! Even if you run someone over – just keep going. I’d heard recently of a piccanin who ran straight in front of someone’s car. It was night so they stopped, of course, and were stoned to death. But the accident wasn’t his fault.

“Can’t understand why you’re so nervous. You taught me! And, you’re not exactly a slow driver yourself!”

“Perhaps it is different to be passenger.”

“We’ll stop at Bamford’s Bakery first.”

“Yes – is Friday and the boys, they gave me a list of lunches.”

“A chocolate éclair and a curry pie will do me. I know Mum needs bread too.”

BANG! We both jumped at the stone kicked up by the large TanZam truck speeding to overtake before the dip. Both hands automatically reached up to hold the windscreen as smaller gravel splattered threatening to shatter the glass. I hoped it hadn’t made too bad a dent in the paintwork. These things always happen when I borrow the car.

The remainder of the trip into town was in silence, both of us shaken for different reasons. Clement probably remembering the voting trucks speeding through the compounds demanding attendance with shots fired into the air.

Me? I was thinking about a friend who was decapitated as his sports car disappeared under a truck stopped on the road. Again, it was night and the driver needed a kip. There were no warning – no markers save for a few tree branches on the road – it just loomed out of the dark too late. He had two small children.

Luckily we managed to park right in front of the Post Office entrance.

Clement made to get out. “Give me the post box keys – I’ll go in.”

“No – you sit here and finish your pie. Guard the lunches.”

“But…”

“Clement– you can see me, OK? I’ll only be a moment.”

Still wary after the stone – the hairs on the back of my neck were raised when I walked into the cool shade of the post box area. Two smartly dressed African men appeared to linger.

I almost turned around to return to the car and let Clement collect the post. But then why should he, when it was my responsibility?

I held my breath and stood still at the yawning entrance chastising myself about my prejudices. One of the men casually opened up a box and removed his mail. I had my hand inside my bag and my fingers found the gun and relaxed a fraction.

Courage let me walk forward, into the dark, right to the end… and open number 1694. This was a familiar routine. The other chap started to walk out too jingling keys.

Hot breath oozed slowly from my lips as I bent my head low to retrieve letters from the back, scooping them forward quickly with one hand. A quick glimpse up to the entrance and I bent down again, focused on that last slip, way to the back.

A sharp tug on my bag and a shove sideways, my platform shoe buckle caught onto my stockings as I turned, then I tripped. Unable to stop my fall, there was nothing to grab onto, I prepared to hit the floor yelling.

A brief rush of air and the smell of strong sweat seemed to take my breath away as I first hit the wall with my legs like jelly. Hands scratched at my clothes and bag. I felt the cold metal of the gun still in my hand, then fell toward the floor.

My elbow shattered when it hit hard, shiny concrete, the impact almost forcing me to let go. But I didn’t – I shut my eyes and fired instead, ears ringing in the echo chamber of empty metal post boxes. Screams finally caught up with my open mouth and within seconds Clement was helping me stand. I resisted before I recognised him, then blabbered. “He’s gone. Did you see him? Oh, I still have my bag… my purse has gone though, hasn’t it?” My fingers clutching, tried to pick up the paraphernalia I’d dropped but I felt faint. So Clement took the gun out of my hand and put it into his trouser pocket and carelessly scooped the stuff into the open yellow mouth. He wrestled my bag out of my vice-like grip and slung it over his shoulder.

He walked me slowly and determinedly out into the main street holding hard onto my good arm. Without saying a word.

The sunshine hurt my eyes and I stumbled. But the warmth was a comfort just like the arm, now gently around my shoulders, protecting me, guiding me back to the van through a gathered crowd of curious African workers.

My shocked gaze searched the surrounding area for a guilty face. I saw none. Even the policeman seemed disappointed that it wasn’t more serious – just an attempted bag snatch. There was no blood. No bullet holes. No arrest to be made. No gruesome reason to take the incident further.

The bored crowd agreed and dispersed without their blood-lust satiated.

A very subdued Clement drove back to the office.

He broke the silence first. “Thank Goodness for the starters pistol.”

THE END

Frances Macaulay Forde © 2006

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11OctArtHibiscus1W

FMF Art © 2011

An extract from my next poetry collection: ‘Exploring Possibilities’.

 

Before you returned, I slept in a bed

without creases.  Only pulled up the sheets

to straighten.  Now I love my wrinkles. 

Today following signs to Yield in Ireland,

I’m used to an Aussie Give Way while 

I put on red lipstick, tell you stories

of Africa when we were both young

 

and watch my words seduce you again.

You remember  young Chianti; full

round ruby red, peppered with berries. 

I remember a Hotel in Kitwe – Blue Nun. 

You say your taste has matured, you now

prefer an Aussie Shiraz; sharp, punchy,

still youthful – allowed to ripen with time.

 

Frances Macaulay Forde © 2003

@FrancesMForde  #FrancesMacForde  #BOOK:ExploringPossibilties  #POEM:BeforeYou  #Poetry  #Writing  #BOOK:SketchingInIreland  #LovePoetry   #RomanticPoetry  #Love  #Romance

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From my inbox: a poem; agent advice on being an ‘Influencer’; the presence of food in writing.

https://poetreecreations.org/2016/04/25/folcum-park/#like-18406

klout-influence-matrix

http://southerlyjournal.com.au/2016/04/24/the-family-recipe/#respond

@FrancesMForde  #FrancesMacForde  #PoetreeCreations  #FolcumPark   #SoutherlyJournal  #TheFamilyRecipe  #Poetry  #Writing  #FoodInWriting  #AgentAdvice  #Influencers

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160315ScissorsW

Has anyone else found scissors inspiring?  Never thought I would but as my favourite Professor said, the scissors chose me – I didn’t choose the scissors.  Very Zen.

To encourage you, here are the first & final versions of a poem written after 10 minutes of  Scissor contemplation & manipulation…

1st Version:

Cutting into my life.
Sharp edges that define.
Cruel severance.
Pointed.
Cold steel ‘ shiny, hard, distant.

Cream/grey plastic
warm, smooth, closer.

Why is?
Unnatural – closer?
Cut/pain ‘ endings,
Death/severance ‘ no going back.
No return ‘ finality.

Blades slicing together
teamwork ‘ severance.
Teamwork – blades;

actually touching.
Wiltshire Staysharp,
a warning of actuality;

‘THIS IS WHAT I AM’

engraved,
scoured into the hard steel,
un-erasable,
undeniable.

Circular pivot – the turning point;
the axis of action.

Inspired by these original words – I linked them to my (then, 2002) romantic dilemma: a man I loved 28 years before, contacted me on the net in 2002 – only I’d  sworn never to be fooled by love again!

Shear Love

You sever my reason,

shape my feelings with your

steely blades of perception.

 

You use the twin edges

of measured analysis

and practical application,

 

to rotate on my axis of impatience,

 

defining our new existence

with that swinging efficiency

of open – closed action. 

 

You manipulate me

with metal precision,

held in a warm moulded grip.

 

My paper reality

waiting for words

that define an Us.

 

Frances Macaulay Forde © 2002

Here’s My Challenge: 

Get a group of writing friends together & tell them to bring something odd.  

If no friends willing, do it by yourself…  I still use this exercise to kick-start a writing session & have loads of bits and pieces on my study desk.

Pile the odds & ends in the centre of the table (or desk).  

With eyes closed, mix them up & hover a hand over them.  

Still keeping eyes closed, pick one thing & take 10 minutes to write about it.    

Please share your results in my comments – I’d love to read them.

 

@FrancesMForde  #FrancesMacForde  #POEM:ShearLove  #Poetry  #PoetryChallengeNo1  #WorkshopWriting  #Writing  #Poems  #PoetryPostcards  #FMF:PoetryPostcards

 

 

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keep_by_jezebelle

 ‘KEEP’

 

It takes all my strength to pull this life to me,

To claw and tear my way from one day to another

Not counting, just tearing one more here in the glow

of the sun suffocated by rays of light and warmth

holding tight to ties that bind. I want to keep

these precious feelings and bask in your love forever.

 

Frances Macaulay Forde © 2009

Written to the artwork of Jessica McCallum entitled ‘Keep’ and exhibited in 2009 during the ‘JM Exhibition’, His Majesty’s Theatre, Perth, Western Australia.

 

@FrancesMForde  #FrancesMacForde  #JessicaMcCallum  #ARTIST:JessicaMcCallum  #POEM:Keep

#ART:JMExhibition  #ArtAsTheSpark  #Art&Poetry  #Poetry

 

 

 

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030620JuneIrelandORIG (10)

Senses

hear

tender words
questions answers
your current reality

see

furtive glance
visual dance
clever hands and fingers

touch

tentative press
to shy flesh
still clothed in other loves

smell

breathe you in
where’ve you been
through all my loves and life

Frances Macaulay Forde © 2007

From my book “Hidden Capacity ~ a poet’s journey” published in Cork, Ireland, 2003

 

@FrancesMForde  #FrancesMacForde  #POEM:Senses  #Poem  #Ireland  #Romance  #Love  #ExploringPossibilities #HiddenCapacity  #Poetry  #Touch  #Sight  #Sound  #Smells  #Sensory  #SketchingInIreland  #WAWriter

 

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???????????????????????????????

Being introduced at the Avon Valley Writers Festival, 2012.

Talk about booking well in advance: the West Australian branch of the Society of Women Writers asked me at the beginning of the year, to run a workshop ‘Writing for the Screen’ in October.

I’m told they expect around 60 people to attend the General Meeting and stay for my presentation – so I’m looking forward to the challenge.  🙂

Well used to presenting to an audience either in person, on a stage or on screen, I’m not really worried about showing a short film made from my script then talking about my experience.

???????????????????????????????

Some of the audience for my Avon Valley Writers Festival workshop having a go at a one pager, 2012.

 

The intention is to also get them to have a go at a one pager, then pick a couple to read out and critique. A similar workshop during the inaugural Avon Valley Writers Festival in 2012 was very successful.

So if you’re around on the 20th October – a Wednesday lunchtime and are interested getting an IDEA – because it’s a HUGE subject, of writing for the screen… why not book your place now by contacting the WA branch of the Society of Women’s Writers.

 

@FrancesMForde  #FrancesMacForde  #AvonValleyWritersFest   #SocWomensWritersWA  #WritingForScreen  #WritingWorkshop  #Workshops  #Writing  #Screenwriting  #WomenWriters

 

 

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WPBookRoses

Jessica McCallum © 2000

A short article written before my new life began… before 2002.

SYNOPSIS : Valentine’s Day looms and Our Heroine reflects that she will once again, succumb to the hype – the schmaltzy romantic music, the images of red hearts thumping with love and the roses – everywhere!   All those things that are not (though once… long ago…) a part of her life!

I got married on Valentine’s Day. 

That massacred the commercial celebration for me forever!

But I’m not bitter.  Perhaps I should explain… 

It’s February again, in the New Millennium. I’m sitting here, pursuing my writing career. A career I would not have if I were still married.  I’ve got the selfishness to do something that is just for me.  It’s my time now.

My children are grown and beautiful human beings – no small testament to my tenacity to keep going.  Right through the divorce and the poverty of being a one-income family, doing a job I hated for low pay.

The demoralization of society’s label ‘single mother’ is not for the faint-hearted! 

I could have taken the easy way out.  I could have grabbed some poor bloke with a steady income to help.  But that’s not my way.  My mistakes were my responsibility, no one else’s.

On lonely days I’d hide my tears from other people and their erroneous perception that I was a ‘superwoman’… working, feeding, educating and caring for my children while their father settled down with the woman I had caught him with.

Now happily married to her, he owns three properties, travels the world, buys what he wants, when he wants.  Good on him!

Every Valentine’s Day I’m grateful to my ex-husband. I don’t think about our marriage – what would be our 26th anniversary – he’s been married to her longer than he was with me.  And by all accounts, he’s happy! I can only wish them the best.

I have made loads of mistakes along the way, but he made me make the decision to leave – the decision to change my life. 

He made me take control again!  And although the struggle was unbearable at times and still is – I make my own decisions.  I control the direction of my life now.

But the dreaded Valentine-hype has got me thinking. 

I’ve been on my own for fifteen years…  Am I happy?  Does it suit me to be alone?

I’ve been so busy working, trying to pay the bills on time, and bringing up the children, educating them and now educating myself – I haven’t had time to think past my new career. 

I studiously avoid romance now. 

Years ago I was a member of a Romance Writer’s group, and was recently asked to tutor on the subject.  Hmmmmm.

The other day my niece took a copy of some old poems to school. I had written them in my peak romance years – long ago.    Long before marriage and serious commitment. Apparently her teenage school friends loved my literary angst. 

My children are of an age where they are not so embarrassed about their baby photos anymore.  Now they want to look at them, copy them – make collages for friends. 

And it’s forced me to look at them too!  To look – really look – at the family happiness that was evident…  the love that was in our house when we were all together and content.

Perhaps the Universe is trying to tell me, that it’s time I re-examined the subject? 

Soon it’ll be Valentine’s Day again.  I know I won’t get a card – I don’t expect one.  But I can’t help the thought entering my head.

I do nothing to encourage romance in my life.  I dress to please myself.  I don’t play the games -although I must confess to being a matchmaker…  I’ve helped quite a few friends find partners and all of them are still together. 

So I know the rules.  I admit it! I am a romantic! I do believe there is someone out there – for everyone – but not me!  I don’t have time and I don’t want the distraction of romantic love.  I am surrounded by love.  I have a close family and fantastic friends. 

I don’t need romance.  Do I?

Love? Does romance have to mean love?  Then by extension for me, a life-commitment and the responsibility for someone else’s feelings?  Well, I’ve had enough of responsibility!  I’ve paid my dues.  Now I just want to be responsible for myself.

Love’s too hard!

Can you have romance in your life, without love? 

I’m not the type to be half-committed.  I’m all or nothing.  And besides, it wouldn’t be fair to only give half of myself.  I’m a passionate person who needs to relate completely.  I can’t just use a person for company, for dinner dates, dancing – things I love to do…

It’s hard being single! Out in public, women who you don’t know and who don’t know you; are suspicious.  They consider you are competing or about to steal their partners!  You must want to be like them – anxious to be a full-paid-up member of Couple-dom.  There’s no other way to live – to be completely happy, is there?

And it’s got nothing to do with how I look or how old I am.  I believe love is possible at any age.  But it’s just not that important! 

Your sexuality is questioned if you choose to be out of the Manhunt.  Who gives people the right to ask these questions?  And what the hell has it got to do with them anyway?

I’ve got other things I am passionate about, my children, my writing, my family and friends.  But most importantly, my desire to make a decent living for myself, doing something I enjoy.  That’s all I have the energy for, these days.

Am I ready to try again?  I still don’t know.  I do know that when Valentine’s Day comes, I won’t be able to help myself – I’ll look in the letterbox. 

Then I’ll be disappointed that some knight in shining armor hasn’t scaled my protective walls and declared his love. But just for a second…

Then I’ll get back to my real world.

 

Frances Macaulay Forde © 2000

@FrancesMForde  #FrancesMacForde  #Valentine’sDayMassacre  #Prose  #Valentine’sDay  #romance

#NotSoRomantic

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Midleton Main St2

In Ireland with my newly returned love we lived in Midleton, a little village 25 km from Cork City.

He enjoyed showing me around his home of only a few years – but the new home of his heart.

Chatting about the ‘mysteries’ of writing poetry, we’d driven into Robinson’s Tyres yard, littered with used product.

I’d just finished saying I never suffered from writers block and could do a poem about anything.  He pointed and challenged me to write about ‘Those’.

So while he organised for a change of Tyre, I wrote about them:

 

Smooth Skin

 

Off Old Cork road, turning into Midleton

stacks of life-saving re-treads have Buckley’s

chance of reliving their youth. Discarded tyres

 

lay stop-piled high; like Auschwitz bodies

deflated, black, aged-old wheel-rings have

reached the end and their final journey.

 

Unlined rubber circles, low profile cushions

await disposal; melting erasure – incineration.

Their job is complete – no longer needed.

 

The largest lay prepared, neatly size-stacked,

ready and resigned, proudly age un-marked

claiming their fair share of the dumping ground.

 

Smaller circles know their place, are thrown

haphazardly because they’ve lost their grip;

swallowed by take-over tyrants, larger than they are.

 

Tractor workhorses are content to rest, miles-tired,

worn out, knowing they don’t count because the speedy

don’t care – don’t notice how many lines are missing.

 

Frances Macaulay Forde © 2003

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LOUISE ALLAN

writer & author

Little Pink Dog Books

Publishers of Children's Picture Books and Illustrated Story Books

Poeteer

The Heart Deceives what the Soul Believes, Which Side will You Choose?